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BOB SOUSA, RETRATOS DO TEATRO, Editora Unesp, 2013.

JOSÉ FERNANDO PEIXOTO DE AZEVEDO (29/07/1974)

DEGREE

2007 - Doctor of Philosophy (Aesthetics and Contemporary Philosophy) by the Department of Philosophy of the School of Philosophy, Letters and Human Sciences at University of São Paulo (USP)

2000 - Degree in Philosophy, by the Department of Philosophy of the School

of Philosophy, Letters and Human Sciences at University of São Paulo (USP)

1992-1994 - Cinema Course at the School of Communication at Fundação

Armando Alvares Penteado (FAAP)

 

PEDAGOGICAL ACTIVITY

Lecturer in Theatre Theory at the School of Dramatic Art (EAD), at the School of Communication and Arts (ECA) of the  University of São Paulo

(USP)

Guest Professor in the Department of Performing Arts at ECA-USP (2006,

2011, 2012, 2013)

Artist-Instructor in playwriting course from SP School of Theater (SP Escola de Teatro) (2011, 2012, 2013)

*

2013/2017- Director of EAD-ECA-USP.

 

ARTISTIC ACTIVITY

Artistic Director, Stage Director and Playwright

 

OTHER ACTIVITIES

2000-2004 - Worked as theater critic at Reportagem Magazine.

 

SCHOLARSHIPS

2001-2003 - Scholar by the Foundation for Research Support of São Paulo –

FAPESP (Fundação de Amparo à Pesquisa de São Paulo), postgraduate

(master's level).

2003 - Scholar from Goethe Institut / São Paulo-Berlin during the

Internationales Forum Junger Bühnenangeh.riger, during the Theatertreffen

/ Berliner Festspiele.

1998-2000 - CNPq Scientific Initiation Scholarship, by the education

program of the Department of Philosophy of FFLCH / USP.

AWARDS / NOMINATIONS

2013 - Nominated for Cooperativa Paulista Theatre Award - THE

RESISTIBLE RISE OF ARTURO UI (Best Performance on Street, Cast, Visual

Design).

2011 - Nominated for Shell Award - Direction, for the spectacle CIDADE FIM

CIDADE CORO CIDADE REVERSO (End City Choir City Reverse City),

besides nomination in actor category for Vinicius Meloni.

2011 - Award Winner of Cooperativa Paulista Theatre Award – Best

Performance in Alternative Alternative - for the spectacle CIDADE FIM

CIDADE CORO CIDADE REVERSO (End City Choir City Reverse City).

2011 - Also nominated for the same award, for the coordination of the team

responsible for Visual Design.

2010 - Myriam Muniz Financing Award for the Project PILADES, by Fundação

Nacional das Artes (FUNARTE).

2009 - Nomination at Shell Awards - Author – CIDADE DESMANCHE (Chop

City)

2009 - Nomination at Cooperativa Paulista Theatre Award – Playwriting -

CIDADE DESMANCHE (Chop City).

2009 - Award Winner at Cooperativa Paulista Theatre Award - Performance

in Alternative Space - CIDADE DESMANCHE (Chop City).

CURATORSHIP

2011 - Curator of the Exhibition Rumos - Itaú Cultural.

2011 - Curator of the International Festival of São José de Rio Preto/São

Paulo.

2006-2009 One of the curators of Próximo Ato - International Meeting of

Contemporary Theatre promoted by Instituto Itaú Cultural (editions 2006,

2007, 2008 and 2009).

PLAYWRIGHT AND THEATRICAL DIRECTION

2017 – CONTENT.MANIFEST

2017 – NHANHOMOIRUMBA – GUARANI PANFLET

2016 – VOODOO CITY

2014 – RETRATO CALADO, from Luiz Roberto Salinas Fortes.

2014 – ENSAIO SOBRE O SIM E O NÃO, from Bertolt Brecht.

2013 – Participation in FRANKFURTER BUCHMESSE with CIDADE FIM

CIDADE CORO CIDADE REVERSO (End City Choir City Reverse City) –

Mousonturm.

2013 – The Resistible Rise of Arturo Ui, from Bertolt Brecht.

2013– Artistic Direction of “Teatro de Narradores Occupancy” /SESC Belenzinho

– 15 Years of Group.

2013 - ZUCCO , Bernard- Marie Koltès , Cia. Ordinária. Direction.

2011 – CIDADE FIM CIDADE CORO CIDADE REVERSO (End City Choir City

Reverse City), resultant of the project DEPOIS DO DESMANCHE (After

Chop), contemplated by the Municipal Theatre Development Program for

the City of São Paulo.

2011 - BEYOND THE POINT (Além do Ponto) , Crespos, group of black

actors. Dramaturgy and Direction.

2010 – PILADE, from Pasolini – Direction.

2009- NORA, based on Ibsen – Direction.

2009 - LANDSCAPE No. 10 - Pilades , from Pasolini (from the text of

Pasolini) - Third Intervention Scene from the Project "Theater in Trance",

contemplated by the Municipal Theatre Development Program for the City

of São Paulo, with participation of Cia. Dos Outros.

2009 – CIDADE DESMANCHE (CHOP CITY) - collective creation of Teatro de

Narradores, resultant from the research conducted on “One Day of

Ulysses”. Direction, text and dramaturgy.

2009 - LANDSCAPE No. 9 - THE DECISION (from the text of Brecht) .

Second intervention scene with group collaboration from Sociedade

Baderna de Teatro e outros Atentados.

2009 - LANDSCAPE No. 8 - OUR DIRTY HANDS (from the text of Sartre).

First intervention created within the project "Theater in Trance", covered by

the Municipal Theatre Development Program for the City of São Paulo.

2008 - A DAY OF ULYSSES - PART I (CABARET PAULISTA: THE MANIFESTO

AGAINST WORK) AND PART II (CITY NEWS) – collective creation from

Teatro de Narradores.

2008 - LANDSCAPE 7 - CIRCE - "Theater On City" - SESC Consolação.

2008 - A DAY OF ULYSSES - Project started in 2005 with support from the

Municipal Theatre Development Program for the City of São Paulo.

2008 - THREE SISTERS , from Anton Chekhov - Class 58 - EAD .

Dramaturgy and Direction .

2007 - ESSAY ON CAROLINA , Cia Os Crespos, group of black actors , from

the diary of Carolina Maria de Jesus ( "Quarto de Despejo" ) . Dramaturgy

and direction.

2007 – SARAU CLIMA intervention scene from Teatro de Narradores for the

project Gilda, a passion for form . Araraquara, São Paulo.

2007 - TN , DECISION / THE MEASURES TAKEN of Bertolt Brecht - FFLCH /

USP

2006 - CASE MACÁRIO , Teatro do Motim . Dramaturgy and direction.

2006 - CABARET PAULISTA: THE MANIFESTO AGAINST WORK - Municipal

Theatre Development Program for the City of São Paulo.

2005 - OUR DOLLHOUSE, from the text of H. Ibsen - Municipal Theatre

Development Program for the City of São Paulo.

2005 - Intervention Scenes - Landscape Number 5: Works and Days (Os

Trabalhos e os Dias).

2005 - SCENES OF INTERVENTION - LANDSCAPE NUMBER 6: ON THE

JOURNEY (DA VIAGEM).

2004 - SCENES OF INTERVENTION - LANDSCAPE NUMBER 1 : CABARET

PAULISTA.

2004 - SCENES OF INTERVENTION - LANDSCAPE NUMBER 2: COLLAPSE .

2004 - SCENES OF INTERVENTION - LANDSCAPE NUMBER 3 : IN THE EYE

OF TRAGEDY , playwriting and directing.

2004 - SCENES OF INTERVENTION - LANDSCAPE NUMBER 4 : SINGLEHAND

STREET (RUA DE MÃO ÚNICA).

2003 - ARTURO UI by Bertolt Brecht - Municipal Theatre Development

Program for the City of São Paulo / Theatre District Martins Penna

Occupancy

2002 - FRAGMENT MACÁRIO of Álvares de Azevedo

2000 – MERCADO DE FUGAS / PAI CONTRA MÃE, from texts of Machado de

Assis.

1998 - THE FALSIFIERS / SO ON EARTH AS IT IS IN HEAVEN (Os

Falseadores – Assim na Terra como no Céu) - Participation also as an actor.

1997 - A GARBAGE CAN HISTORY , Roberto Schwarz , with collective that is

the source of Storytellers Theatre . Direction.

1994 - ARA – Dramaturgy and direction.

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